T r a c k I n f o
1. Sonata in C Major – 1. Largo (Johann Friedrich Fasch)
2. Sonata in C Major – 2. Allegro (Johann Friedrich Fasch)
3. Sonata in C Major – 3. Andante (Johann Friedrich Fasch)
4. Sonata in C Major – 4. Allegro assai (Johann Friedrich Fasch)
5. Duo for Flute and Bassoon No.1 (Gernot Wolfgang)
6. Interferénces I (Roger Boutry)
7. Sonata for Clarinet and Bassoon - 1. Allegro (Franics Poulenc)
8. Sonata for Clarinet and Bassoon - 2. Romance (Francis Poulenc)
9. Sonata for Clarinet and Bassoon - 3. Final (Francis Poulenc)
P e r s o n n e l
Track 5: Susan Greenberg – flute I Judith Farmer – bassoon
Track 6: Judith Farmer – bassoon I Vicki Ray – piano
Tracks 7-9: Wenzel Fuchs - clarinet I Judith Farmer - bassoon
C o p y r i g h t I n f o
Tracks 1-4: Public Domain
Track 6: Copyright First Digital Music o/b/o Marlowlynn Ltd
R e c o r d i n g C r e d i t s
Recorded on October 23-24, 2001 at Alfred Newman Hall, Alan Hancock Foundation
Building at the University of Southern California in Los Angeles.
Produced by Gernot Wolfgang and Judith Farmer
Recorded by Fred Vogler
Mixed and mastered by Rich Breen
Edited by Gernot Wolfgang and Rich Breen
Recorded on September 24, 1990 at Grosser Sendesaal, ORF Funkhaus Wien
Produced by Harald Steeger
Recorded by Gerhard Harrer
Mastered for this album by Rich Breen
Photograph of Judith Farmer by Ian Evenstar
Digital cover design by Sally Coates
Website design by Gernot Wolfgang
Release date: 12/24/2020
L i n e r N o t e s a n d
A c k n o w l e d g e m e n t s
In October of 2001 I started to record a CD. I got three pieces "in the can" and then life happened. The recordings
have been sitting on my desk waiting to be edited since then, squarely in the category of "when I get around to it"!
One of the silver linings of the Stay at Home orders during the global pandemic has been finally being able
to make time for just such a project.
Without the help and encouragement of my dear, sweet husband, Gernot Wolfgang, completing the editing of these recordings would not have been possible. My heartfelt thanks go to him, my family and my teachers, Karl Öhlberger and
John Casagrande, who are sadly no longer with us, and Mordechai Rechtman, for their unfailing support and guidance.
I would also like to express my deep gratitude to the musicians in these recordings who helped bring the music to life with their consummate artistry. They include current and former members of the Los Angeles Chamber Orchestra, Patricia Mabee, principal keyboardist, Andrew Shulman, principal cellist and Susan Greenberg, flutist, as well as Wenzel Fuchs, principal clarinetist of the Berlin Philharmonic, and Vicki Ray, head of keyboard studies at the California Institute of the Arts.
In addition, many thanks to the recording engineers who captured everything so wonderfully: Fred Vogler, Rich Breen,
Harald Steeger and Gerhard Harrer. I would also like to give a shout out to Knut Sønstevold, a fellow Öhlberger student,
whose recording of the Boutry first introduced me to and inspired me to learn the piece.
Judith Farmer, December 2020